When a Two-Shot Isn’t a Two-Shot

Woke up at three, obsessing about the confessional snow scene in Norwegian Wood, wondering for the umpteenth time why the director would leave so much empty space on one side, which no high school film student would be careless enough to do; and then it finally occurred to me that the empty space stands for Naoko, just as the eerie soundtrack of the following scene seeps into this one, likewise obtruding her presence or absence therein.

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Author: Harry Miller

I have traveled and lived in Taiwan, China, and Japan and am now a professor of Asian history and author of Southern Rain, a novel of seventeenth-century China.

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